I'd Rather Go Along With This Sense

Essentially, The Scripts Are Not That Different. Let's Say, In Literary Terms, It's The Difference Between Writing Horizontally And Writing Vertically. In Live Television, You Wrote Much More Vertically. You Had To Probe People Because You Didn't Have Money Or Sets Or Any Of The Physical Dimensions That Film Will Allow You. So You Generally Probed People A Little Bit More. Film Writing Is Much More Horizontal. You Can Insert Anything You Want: Meadows, Battlefields, The Taj Mahal, A Cast Of Thousands. But Essentially, Writing A Story Is Writing A Story.

I've Never Really Topped Myself, Because Awards In Themselves Really Don't Reflect Major Accomplishment. It's Kind Of A Strange, Backslapping Ritual That We Go Through In This Town Where You Get Awards For Almost Everything. For Surviving The Day You're Going To Get Awards.

Bias And Prejudice Make Me Angry...more Than Anything.

I Choose To Think Of Tv Audience As Nameless, Formless, Faceless People Who Are All Like Me. And Anything That I Write, If I Like It, They'll Like It.

An Ingmar Bergman Film Would Probably Owe A Sizeable Bulk Of Its Import And Its Direction And Its Quality To The Directorial End And To The Director Because It's Uniquely A Bergman Film. But That Again Is Not The General - No, That's Much More The Exception Than The Rule.