I'd Love To Do A Whole Series

Once You've Established Where You Are, You Go To The Character And Elaborate On Expressions And Action.

My Work Is So Unorthodox That From One Panel To The Next, The Drawings Are Completely Different... Totally Opposed To The Way Of Working In Something Like Animation, Where Every Drawing Has To Look Like The One Before.

I Don't Enjoy The Boo Scare When You're Watching A Movie And Then Suddenly There's A Big Shark On The Screen. The Only Thing They're Doing Is Catching You Off Guard.

Sometimes, You Start With The Drawing And Then The Gag Comes To You In The Middle Of It. That Is When You Start Working On The Solution Of The Gag, Which Is Composition, Placing, Equilibrium, And Character Design.

Anyone Can Write A Story Based On The Kind Of Horror Where You See A Guy In Car And Then There's The Bad Guy In The Back Seat. It's Infantile To Rely On That For Telling A Story. That's Like Going To Bed And Thinking There's A Monster Under Your Bed. It's Silly.