I'd Love To Do A Whole Series

If I See That Something Is Wrong, I Don't Care Who Says It. Whether It's A Republican Or Democrat, The Left Or The Right. If They Are On The Opinion Of The Right Thing, That's What I Will Talk About. I Won't Proselytize Or Make The Strong Things To Influence Other People About Any Particular Politics, Except The Decency Of Things, The Logic Of Things. That's Why I Don't Get That Much Involved In Politics Directly.

Sometimes, You Start With The Drawing And Then The Gag Comes To You In The Middle Of It. That Is When You Start Working On The Solution Of The Gag, Which Is Composition, Placing, Equilibrium, And Character Design.

A Comic Book Is The Opposite Of A Cartoon. In A Cartoon, You Want To Simplify The Idea, So When They Look At It At A Glance, They Get It. Boom. Simple. Direct To The Point. But When You're Drawing Groo, Now It's A Narrative, A Story. You Want The Viewer To Get Involved In The Story. You Want Him To Feel Like He's In The Town To Follow Your Main Character. So I Love To Add Lots And Lots Of Things In It. Things That People Will Enjoy Going Back To And Say, "oh Yeah, That's How A Market Must Have Looked In This Fantasy World, With People Selling Meat Here And Dishes Here."

When I'm Drawing A Bottle Or A Town Or A Market, I Transport Myself There. So I Start Drawing Everything That I'm Looking At While I'm There. Here's A Guy Selling The Meat, And He Will Have A Hook, And You Start Adding Things, And It's A Lot Of Fun.

Many Of The American Cartoonists That Want To Have A Job And Go So Much For The Total Right Without Thinking, Sometimes They Get A Slap On The Face When Their Politician Lets Them Down. So It Goes On And On. The Thing Is Staying In The Middle And Not Getting Committed, Trying To Get The Best Of Both And Do That With A Sense Of Humor.