I Would Tend To Say That I

A Picture Ought To Be Looked At The Same Way You Look At A Radiator.

My Work Is Largely Concerned With Relations Between Seeing And Knowing, Seeing And Saying, Seeing And Believing.

Make Something, A Kind Of Object, Which As It Changes Or Falls Apart (dies As It Were) Or Increases In Its Parts (grows As It Were) Offers No Clue As To What Its State Or Form Or Nature Was At Any Previous Time. Physical And Metaphysical. Obstinacy. Could This Be A Useful Object?

One Likes To Think That One Anticipates Changes In The Spaces We Inhabit, And Our Ideas About Space.

I Have No Ideas About What The Paintings Imply About The World. I Don't Think That's A Painter's Business. He Just Paints Paintings Without A Conscious Reason.