I Wish I Could Just Project Everything

I'm Not Afraid Of Terrorism At All. I'm Afraid Of Loss Of Our Freedom, Loss Of Mobility, Loss Of Global Comradeship.

No, My Work Does Not Reflect My Sexual Preferences, It Reflects The Fact That I Feel Total Freedom As An Artist.

In 1974, When I Started Working With The Material That Became Horses, A Lot Of Our Great Voices Had Died. We'd Lost Jimi Hendrix And Jim Morrison And Janis Joplin, And People Like Robert Kennedy, Martin Luther King And Malcolm X.

Those Were The Things On My Mind [stay Healthy, Take Care Of My Kids And Reestablish A Relationship With The People], Not Career, Money, Drugs, Sex, Alcohol Or Fun. Not That There's Anything Wrong With Any Of Those Things, But They Aren't In The Film [dream Of Life], Because That Wasn't My Life At The Time.

We Used To Laugh At Our Small Selves, Saying That I Was A Bad Girl Trying To Be Good And That He Was A Good Boy Trying To Be Bad. Through The Years These Roles Would Reverse, Then Reverse Again, Until We Came To Accept Our Dual Natures. We Contained Opposing Principles, Light And Dark.