I Will Just Say, Appropriation Is An

One Of The Things That I Most Believe In Is The Compose And Wait Philosophy Of Photography. It’s A Very Satisfying, Almost Spiritual Way To Photograph. Life Isn't’ Knocking You Around, Life Isn't Controlling You. You Have Picked Your Place, You’ve Picked Your Scene, You’ve Picked Your Light, You’ve Done All The Decision Making And You Are Waiting For The Moment To Come To You.

There Are A Lot Of Ways To Talk About The Life Of A Photograph. You Can Talk About The Afterlife Of A Photograph, And In The End I Talk About That, With The Richard Prince Picture. But Mainly, What I Dedicated The Book To Being About Was How Photographs Begin Their Life, And Where They Begin It. And They Begin It With The Photographer's Imagination And Instinct And Experience.

Editorial Photography Has To Be Energetic And Visually Competitive.

Above All, It's Hard Learning To Live With Vivid Mental Images Of Scenes I Cared For And Failed To Photograph. It Is The Edgy Existence Within Me Of These Unmade Images That Is The Only Assurance That The Best Photographs Are Yet To Be Made.

I Would Like To Go To Antarctica. That's About All.