I Went Out To Mount Kilimanjaro, Which

Like Anything To Do With Trust, In Any Relationship It Emerges And Just The Chemistry, Vibe Between Two People An Actor And A Director. You Just Know Whether This Is Someone I Like To Be With Whose Interaction With Me I Believe In.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

So Much Of Movie Acting Is In The Lighting. And In Loving Your Characters. I Try To Know Them, And With That Intimacy Comes Love. And Now, I Love Voldemort.

Having Gone Through Editing Process, I Can See That In Actor's Faces There's Point Where They're Not Managing Their Performance And That's, I Think, The Best Place To Be. You've Done The Homework, You've Learned The Lines, At That Point You Just Sort Of Let It Out.

I Learned A Lot About Acting - Watching Not Just Myself But Other Actors And Learning How To Distinguish Between Two Great Takes. It's Also About One's Own Taste In Performance.