I Think When You Take People Who

Judy Blume Excels At Describing How It Feels To Be Invisible. So How Poetic Is It That Blume Herself Is Suddenly Everywhere?

There's Probably No Experience More Alienating Than Fame, Other Than A Terminal Illness, Where You Actually Find Yourself In A Situation That Nobody Around You Can Relate To.

I've Come To Find More Satisfaction And Enjoyment In Writing Screenplays Over The Years Because That's What I Do Primarily Now.

I've Never Even Seen A Great Set Fight Or A Great Set Meltdown. I Seem To Always Be On These Incredibly Relaxed Sets.

I Think When You're Writing Prose There's A Lot Of Attendant Description And That's Were I Used To Really Go Bananas. With A Screenplay That All Gets Filled In By The Director, So It Just Sort Of Pulls You Back By Virtue Of The Form. You Also Have To Use More Economy As A Screenwriter And So It's Kind Of Limiting In A Good Way.