I Think That They Haven't Been Able

For Fleur De Chine, I Imagined The Romantic And Mysterious Women From Asia's Cinematic Past-from The '30s Femme Fatale In A Cheongsam And Dark Lipstick, To The'60s Hong Kong Heroine Of In The Mood For Love. I Wanted To Capture That Fascinating, Exquisite And Slightly Scandalous Femininity.

Maybe It's Because I'm A Designer, But When I Am In A State Of Excitement, Everything Is So Sharp And Colorful And Amazing, And I Can Look At Blue And I See The Yellow In It And The Green In It, And The Green-blues, The Yellow-blues, So.

I Am Actually Extremely Casual In Certain Environments. But One Of The Reasons I Like Living In London, I Like The Formality Of It, As Compared To The Formality Of America - Or Informality. I Like Putting On A Suit. I Like Putting On A Tie.

I Love New York. It's Given Me So Much As A Designer. When I Moved Here, I Wanted To Tap Into The Glamour Of The City Immediately. More Than Anywhere Else, New York Offers Itself Up - You Arrive And Get A Rush In A Flash. It's Dazzling. Everywhere You Look, There Is Decoration, From A Pair Of Jewel-encrusted Shoes In The Window In Bergdorf Goodman To The Chrysler Building. And New York Is Incredibly Democratic. Everyone Is Packed Into This Tiny Space. You Are Confronted With All Manner Of People, And I Love That.

In Fashion As In Life, The Right Thing At The Right Time Is The Right Thing. The Right Thing At The Wrong Time Is The Wrong Thing.