I Think That The Job Of Poetry,

Prose Gets Divided Up Into Fiction And Nonfiction And Short Fiction And Long Fiction And Autobiographical Nonfiction And So On. Poetry Can Do Any Of Those Things Except With The Added Definition Of Intensified Formal Pressure.

Poetry Is A Fireplace In Summer Or A Fan In Winter.

Nostalgia Locates Desire In The Past Where It Suffers No Active Conflict And Can Be Yearned Toward Pleasantly.

[osip] Mandelstam, Who Wasn't A Political Thinker, Loved The Idea Of The City-state. One Of The Emblems In His Poetry Of The Politics He Imagined, Over And Against The Universalizing Politics Of [carl] Marx, Was The Medieval City Of Novgorod, Which Had In Its Center A Public Well Where The Water Was Free To Everyone. That Became For Him A Figure Of Justice.

When I Began Writing Poems, It Was In The Late 60s And Early 70s When The Literary And Cultural Atmosphere Was Very Much Affected By What Was Going On In The World, Which Was, In Succession, The Civil Rights Movement, The Antiwar Movement, And The Women's Movement In The 60s, 70s, And Into The Early 80s. And All Of Those Things Affected Me And Affected My Thinking, Particularly The Vietnam War.