I Think That The Job Of Poetry,

Another Problem About Writing About Politics In The "age Of Globalization" Is That So Much Of The Violence In The Form Of War And Also In The Forms Of Institutional Violence - Sweatshops, Child Labor, Victimization Of People Economically - Happens Elsewhere And Out Of Sight. And When We Do Know About It And Need To Witness It, It's Always Mediated By Images Of One Kind Or Another, So You're Kind Of Stuck Trying To Write About What It's Like Trying To Be You Living Your Life Thinking About And Experiencing This Stuff In That Way.

Not To Make Too Much Of A Claim For Poetry, But This Is A Question That Goes To The Moral Heart Of The Business Of Any Art: How Do You See The World, And What Right Do You Have To See The World In The Way That You Do?

Imagination Runs Through The Places Where We Live Like Water. We Need Both Things-a Living Knowledge Of The Land And A Live Imagination Of It And Our Place In It- If We Are Going To Preserve It.

If You Read Three Books A Day You Couldn't Read All The Poetry That's Being Published.

[osip] Mandelstam, Who Wasn't A Political Thinker, Loved The Idea Of The City-state. One Of The Emblems In His Poetry Of The Politics He Imagined, Over And Against The Universalizing Politics Of [carl] Marx, Was The Medieval City Of Novgorod, Which Had In Its Center A Public Well Where The Water Was Free To Everyone. That Became For Him A Figure Of Justice.