I Think That In Some Cases, I've

There Is A Way That A Younger Person Can Accept The Inevitable Problem That They're Going To Die, Whereas Somebody A Little Bit Older Might Be Overcome.

And Later I Thought, I Can't Think How Anyone Can Become A Director Without Learning The Craft Of Cinematography.

My Art Teacher In Junior High Was A Very Out Gay Man And A Mentor To Me. He Would Tell Us About Greenwich Village And Show Us The 'village Voice' And Describe His Life, But It Was All Sort Of Subversive And Below The Radar.

There Is A Common Theme, Though, In The Stories I Have Told, Which Are Usually Associations Of Characters Or Families That Are Formed Outside Of A Family Circle.

Silent Is About Needing To Make A Scene Shorter By Having Physical Things To Cut To. That Way, You Can Manipulate A Character To The Other Side Of The Room. But, If They Say The Wrong Thing, It Might Locate That Action In A Particular Part Of The Scene. It's A Mechanical Need.