I Think That If You're A Digital

I Have No Advice For Anyone On How To Live.

The Fact Of Having This Very New Context, This Unheard-of Way Of Working, For Me Was Very Pleasant. I Didn't Feel That I Was Working, That I Had Any Kind Of Burden To Wear, To Carry. I Really Was Very Happy And Very Lighthearted During The Whole Process Of Making The Film [certified Copy], Of Shooting It.

I Do Believe In [robert] Bresson's Method Of Creation Through Omission, Not Through Addition.

The [iranian] Government Grapples With More Important Issues And We Can Maybe Say That These Films Don't Really Exist For Them. It's Not About Whether They Like It Or Don't; It's Just Not Very Important To Them.

The Kind Of Sleep That I Had During My Own Film [certified Copy] Screening In Cannes Is Different. It's Not Because Of The Specificity Of The Film. It Was Because Of My Relationship As An Author To This Film. Usually When I Take My Films To Festivals, I Feel Incredibly Anxious About Them. I Wonder How It Will Be Received, How The Audience Will React. I Feel Deeply Responsible For Them. Whereas This Time, I Didn't Have That Responsibility On My Shoulders.