I Think Coming To Work And Being

You Can't Live In A Dialect Without Tremendous Work. Like Any Muscle, Accents And Voices And Languages Are All Formed Out Of The Muscles That We Have In Our Mouths And Faces And Tongues.

I've Made It Very Clear That I'm Interested In Voiceover Work. I Mean, I'm Always Looking For Voiceover Gigs. I Love That.

Filmmaking Is A Huge Privilege; It's Not Brain Surgery. It's Art, And Art Is Supposed To Be An Enjoyable Process, And It Is An Enjoyable Experience For Me.

I Worked With An Amazing Dialect Coach Named Jill Mccullough. We Did Skype Sessions While I Was Shooting "no Escape" In Thailand, Actually. So Three Times A Week I Would Have Long, Two-hour Sessions With Her Just Working On The Nuance Of The Accent, Which I Had Had A Huge Background In Because I Went To Drama School In England For Four Years.

A Friend Of Mine Told Me, You Know Your Obsession With Girls Who Talk Like Sexy Babies? You Have To Put That Into Your Script.