I Think Anybody Who Bets On Horses

For Some People, An Event Happens And They Are Thrown Into A Tabloid Feeding Ground.

When You're Doing Those Operation Scenes, You Not Only Have To Be On Top Of The Dialogue And The Rhythm Of The Dialogue And What's Happening Dramatically, But You've Got To Technically Get The Rhythm Right, So That Everything Is Fitting With The Dialogue At The Right Time. And You're Performing The Operation To The Audience That's Watching It. Thackery Has To Present It, As Well. In Some Ways, That's The Most Challenging.

I Actually Really Love Working With Young Actors Because They're So Responsive And Instinctive, And It's A Much Less Honed Craft That They're Employing.

The Theater's A Live Thing, And Film Is, To Some Extent, A Discipline Where You're Putting Everything Together And Trying To Execute Something Exactly. You Do It Away From People And Then You Present It At The End.

Something I Don't Like Seeing In Other People Is Naked Ambition, When Somebody Is Really Pushing Hard To Get To Where They Want To Be. That's The Way I Look At That Word - Like You Must Be Stepping On Someone To Get There. And I've Never Been Comfortable With That.