I Take The Opportunity Each Day Offers.

The Underlying Tension Of A Lot Of My Art Is To Try And Look Through The Surface Appearance Of Things. Inevitably, One Way Of Getting Beneath The Surface Is To Introduce A Hole, A Window Into What Lies Below.

Three Or Four Stones In One Firing Will All React Differently. I Try To Achieve A Balance Between Those That Haven't Progressed Enough And Those About To Go Too Far.

The Relationship Between The Public And The Artist Is Complex And Difficult To Explain. There Is A Fine Line Between Using This Critical Energy Creatively And Pandering To It.

There Are Occasions When I Have Moved Boulders, But I'm Reluctant To, Especially Ones That Have Been Rooted In A Place For Many Years.

Generally In New York, People Just Walk Over You With No Problem About That. Other Countries, People Want To Resuscitate You, Like, After A Bit.