I Still Make Music. I Still Write

I Have More Respect For Somebody Who Points At His Ideal - In This Case, The Ideal Of The Pirate - And Then Becomes Something That's More Radical, More Exciting, More Subversive Than A Pirate Could Ever Be.

To Me, Recordings Are Little Fourth-dimension Artifacts, Because They Already Are Representatives Of Past, Present, And Future, Just Inherently In Their Existence.

If We Were Making A Record In Kentucky, There Might Be Some More Elements That Recall A Time, A Place, Or A Relationship. Recording For The Bbc You Enter Into This Strange And Wonderful, But Kind Of Sterile, Place With Which You Have No Personal History, And That's The Maida Vale Studios At Bbc In London.

A Record Is Something That Isn't Real Or True. It's Like Cinema. It's A Construction Of Something Hyper-real And Surreal And Unreal All At The Same Time. You Make A Space That Doesn't Really Exist. One Of The Big Joys Of Being In This Line Of Work Is Building The Recorded Versions Of The Songs.

If I Give A Little Hint Or Clue As To Where My Voice Could Be Going, That Would [be] Read. Because People Can Listen Closely, You Know, You Can Sit With Headphones Or You Just Concentrate On Music, You Can Just Hear, Sometimes, The Desires Of The Voice Itself.