I Started Playing Harp About Fourteen Years

In High School, We Studied A Lot Of Poetical Forms. I Was Really Interested In The Math That Was Involved And The Strange Live Break Ups. That Gave Me A Great Amount Of Respect For A Rhymed Stanza.

I Wasn't Interested In Writing Music That Wasn't Beautiful For Me To Listen To.

I Have A Deep Rooted Folk Sensibility That I Can't Get Away From Completely.

People In San Francisco And The East Bay Have Shown Interest, Done Interviews, And Have Come To Shows. I Guess That The News Travels Fast Out Of This Island That We Are On.

I Have A Lot Of Interest In Interior Rhyming; Not Just Rhyming At The End Of The Lines, But Playing Around With Rhymes Within The Lines, Playing With Where The Syllabic Emphases In The Sentences Are, Lining Those Up At Strange Moments In The Line Of The Song. I’m Not Sure If That Comes Across Or Not.