I Seemed To Have Instinctually A Strong

And All The Things I Thought Were Mistakes And I Did Cartoons On Them. And Then I Think I Was The First Cartoonist In The Country To Attack The War In Viet Nam And That Helped Influence A Whole Generation Of Young Cartoonists Who Later On Took Up The Battle. And That Was Exciting To Know That I Had Helped Influence Work Of Young People Who Were Moving This Forum Into A Better And More Exciting Area, Out Of The More By The State That Political Cartooning Had Been In.

There's Some Brain Damage, But It May Be That Very Brain Damage That Allows Me To Do The Work I Do.

I'm Not Electronically Geared At All; I'm Really A 19th Century Cartoonist. I Have A 15-year-old Daughter, And What She's Attracted To Is Of Course Ipod And This Pod And That, I Mean Stuff I Don't Even Begin To Know - I Never Learned How To Type For Christ's Sake! I Can't Get In Her Head And Find Out What She Would Do If She Had The Kind Of Talent I Had, I Don't Have A Clue. Every Generation Comes Up With Its Own Quirkiness And Its Own Culture Which Gets Its Inspiration From What's In The Air At That Time.

My Success Was The Shock Of Recognition, Probably, Rather Than The Quality Of The Work. I Mean, The Quality May Have Been Fine, But There's A Lot Of Fine Work Out There. It Was The Fact That I Was Doing Something That At That Time, Nobody Else Was Doing, Except For Say, Mort Saul Out In San Francisco On The Hungry Eye, And "second City" Was Emerging Out In Chicago. Nothing In Print. It Was Basically Happening In Cabaret And Nothing In Fiction. And Certainly Nothing In New York In Cartoons.

I've Never Met A Cartoonist Who Isn't Quirky Or Weird In Some Ways.