I See Screenwriting As A Bit Like

It Was Important To Me To Make A Film Where I Don't Show The Past But Where The Spectators Can See The Past.

It's Not Some Big Event That Creates The Drama, It's The Little Things Of Everyday Life That Bring About That Drama.

We Always Have The Movies That Are More Toward Real Life, But They Don't Have That Much Drama Or Suspense, Or We Have The Full Of Drama Or Suspense, But They're Far Away From Real Life. Always When I Was Watching A Film, Films With Good Drama, I Was Thinking, "i Wish They Were More Close To Real Life." But When I Was Watching Real Life Films I Was Thinking, "well I Wish It Had More Drama." I've Tried, In The Movies That I Worked So Far, To Get These Two Things Closer And Closer To Each Other.

I Always Thought That In The Countries That The Modernity Kicks In Later, It Seems That Everything Changes On The Surface, The Physical Things Change, But Inside, Things Haven't Changed, Really. This Is Always The Challenge Of This Kind Of Community, To Make A Harmony Between The Cultural Traditions And The Modernity Of Modern Life.

The First Theme That Every Audience Can Get Easily Everywhere In The World Is The Theme Of Judgment. You Are Constantly Judging If This Character Is Doing Something Wrong Or Right, Or The Other Character Is Doing Something Right Or Wrong.