I Really Enjoy Working On Small Films.

I Love Working With People Who Have Had Television Experience Because I Think There's A Real Efficiency And Methodology That Comes From That Background.

The Darker The Film, The More Vital Everyone's Sense Of Humor Is On Set.

Definitely The Script Because You Want To Be Part Of An Interesting Story, You Want Your Character To Be A Challenge, Then Comes The Director. But Essentially It's The Script First And Whether It's A Character That You Think You Can Do.

Just From My Own Experience, A Lot Of The Comedians I Used To Work With Were Miserable In Their Actual Lives. I Think You Need To Be Able To See A Lot Of Negative In Things In Order To Extract Material, So There's Probably Something To That. A Lot Of The People I Used To Work With Were Very, Very, Very Unfunny Offstage, So That's A Pretty Common Thing.

The More I Love The Character, The Harder It Is To Get It Wrong. I Have To Get To A Point That I Can Speak For Them.