I Paint In Order Not To Cry.

We Document, Explain, Justify, Construct, Organize: These Are Good Things, But We Do Not Succeed In Coming To The Whole. But We May As Well Calm Down: Construction Is Not Absolute. Our Virtue Is This: By Cultivating The Exact We Have Laid The Foundations For A Science Of Art, Including The Unknown X.

I Must Begin, Not With Hypothesis, But With Specific Instances, No Matter How Minute.

The More Horrible This World (as Today, For Instance), The More Abstract Our Art, Whereas A Happy World Brings Forth An Art Of The Here And Now.

Spatial Art Does Not Begin With A Poetic Mood Or Idea, But With Construction Of One Or More Figures, With The Harmonizing Of Several Colors And Tones, Or With The Devaluation Of Spatial Relationships And So On.

From The Root, The Sap Rises Up Into The Artist, Flows Through Him, Flows To His Eye. Overwhelmed And Activated By The Force Of The Current, He Conveys His Vision Into His Work. And Yet, Standing At His Appointed Place As The Trunk Of The Tree, He Does Nothing Other Than Gather And Pass On What Rises From The Depths. He Neither Serves Nor Commands He Transmits. His Position Is Humble. And The Beauty At The Crown Is Not His Own; It Has Merely Passed Through Him.