I Often Say That ... I'm Just

I Try To Just Save A Fresh, Clear Head For Whoever I'm Working With, So Hopefully It's Helpful That There's Someone Who Doesn't Have To Sit In The Editing Room For 12 Hours A Day, And Who's Blinded By The Massive Footage And Options That They Have.

That's Very Important To Me As Well: Presentation And How People Perceive You, The Visual Of How Things Look, Your Posture. I Learned That From [bob] Fosse And Jerome Robbins, From All The Great Theater Directors And The Busby Berkeleys. You Overdeliver: Visually, Emotionally.

Some Stories Feel Like They Need More Time Or Less Time To Tell. To Not Obsessively Have To Trim Or Add That Final Two Or Three Minutes Is Very Helpful, Because You Can Just Organically Follow How The Story Feels.

My Grandfather Was Bob Shad, One Of Those Legendary Jazz And Blues Producers - He Worked With Charlie Parker And Dinah Washington, And He Produced Janis Joplin's Album [1967's Big Brother & The Holding Company]. He Always Owned Small Labels As Well - He Had A Label Called Mainstream Records In The 70s.

It Would Be So Irresponsible Not To Speak Up. I Don't Know What I Would Do In My Home And In My Life If I Didn't Rant A Little Bit And As Thoughtfully As I Can With Some Humor.