I Never Wish For Critics.

In My Early Work, I Tried To Hide My Personality, My Psychological State, My Emotions. This Was Partly Due To My Feelings About Myself And Partly Due To My Feelings About Painting At The Time. I Sort Of Stuck To My Guns For A While But Eventually It Seemed Like A Losing Battle. Finally One Must Simply Drop The Reserve.

Whatever I Do Seems Artificial And False, To Me.

My Work Is Largely Concerned With Relations Between Seeing And Knowing, Seeing And Saying, Seeing And Believing.

I'm Especially Interested In The Music Of John Cage... I Would Like To Do Some Experimenting With The Relationship Between His Freeform Sound And Free-form Art.

In The Place Where I Was A Child, There Were No Artists And There Was No Art, So I Really Didn't Know What That Meant. I Think I Thought It Meant That I Would Be In A Situation Different Than The One That I Was In.