I Never Start With The Story First,

I Wanted To Make An Indian Character Who Wasn't Either A) The Savage That Must Be Eliminated, The Force Of Nature That's Blocking The Way For Industrial Progress, Or B) The Noble Innocent That Knows All And Is Another Cliche. I Wanted Him To Be A Complicated Human Being.

The Filmmaker Amos Poe Was A Huge Inspiration For Me By Making Guerrilla-style Punk Films On The Streets Of New York And - Well, It's Just A Lot Of Painters And Artists And Filmmakers All Within That Scene, And It's Very, Very Important To Me.

I Like Repetition, But I Really, Really Like Variations, Synchronistic Things That Happen Where You're Not Really Thinking About Them.

Each One Of Us Is A Set Of Shifting Molecules, Spinning In Ecstasy.

I Know From The Past, Critics Often Say My Films Don't Have Any Plot, That Kind Of Thing. I'm Used To Being Told, "yeah, It's Slow And Has No Plot."