I Mean, It's Very Subtle And A

What Moves Me About...what's Called Technique...is That It Comes From Some Mysterious Deep Place. I Mean It Can Have Something To Do With The Paper And The Developer And All That Stuff, But It Comes Mostly From Some Very Deep Choices Somebody Has Made That Take A Long Time And Keep Haunting Them.

One Thing That Struck Me Early Is That You Don’t Put Into A Photograph What’s Going To Come Out. Or, Vice Versa, What Comes Out Is Not What You Put In.

If You Scrutinize Reality Closely Enough, If In Some Way You Really, Really Get To It, It Becomes Fantastic.

It's Always Seemed To Me That Photography Tends To Deal With Facts Whereas Film Tends To Deal With Fiction.

I Used To Have This Notion When I Was A Kid That The Minute You Said Anything, It Was No Longer True. Of Course It Would Have Driven Me Crazy Very Rapidly If I Hadn't Dropped It, But There's Something Similar In What I'm Trying To Say. That Once It's Been Done, You Want To Go Someplace Else. There's Just Some Sense Of Straining.