I Love Variation In All Forms: In

The New York School Poets Are My Godfathers Creatively.

I Even Think The Commercial Element Of New American Directors Is Really Fertile Right Now. There Are A Lot Of Filmmakers With Very Particular Visions, Like Sofia Coppola And Wes Anderson And P.t. Anderson And Alexander Payne And Peter Sollett And Harmony Korine And Vincent Gallo. At Least They're Making Films That They Choose To Make, And They're On Their Own. That's Positive To Me. This Is Not A Dead Period For American Cinema At All.

My First Film I Made, "permanent Vacation," We Shot In 1979 For Like $12,000, Part Of Which I Got A Fake Car Loan For That Amos Poe Told Me You Could Do That. And, Yeah, I Had No Idea What I Was Doing. It Was Just Like, Well, We're Going To Try And Do This. Partly Because I Had Been Following Amos Poe And Eric Mitchell Around For About A Year, And I Worked On Some Of Eric's Films As A Sound Recordist And Stuff.

Life Has No Plot, Why Must Films Or Fiction?

Just Write A Poem As If You're Writing A Note To One Other Person.