I Love Nerdy Work. I Love Writing

The Most Bizarre Demographics Come Up To Me. Men In Their 50s Come Up To Me And Are Like, "alison Is My Favorite. I Hated Her At First, And Now I Love Her." I Don't Know What That Says About People's Psychology.

My Mom Taught Me German Before I Knew English. And I Went To French Immersion School.

'orphan Black' Allows For People To Have Debates And Theories And Allegiances To Different Characters; To Trust Characters And Hate Other Characters, But It Doesn't Tell You Who Is Good Or Bad Or Right Or Wrong. That's The Most Exciting Storytelling In My Book.

I Think In The Inception And Creation Of The Characters, Improv Was The Most Important Part For Me, Because I Wanted To Feel At Home In Those Characters. I Wanted To Feel Like I Could Commit To Them. And So Much Of Improv Is Saying Yes And Committing, So I Think That's Where The Improv Came In. Even If I'm Saying Yes To The X Across The Room From Me, Or The Tennis Ball On A Stick, I Have To Stay Alive.

I Love Performing. I Love Doing Improv. It's A Totally Terrifying Experience, But It's Something That I've Always Felt So Strongly About And That I'm Kind Of Obsessed With. And Just As An Actor, It's A Great Exercise. It's A Great Playground, You Know, To Try Things Out And To Work On Your Skills. Because The Mandate Of Improv Is Kind Of The Same As Acting: It's All About Your Scene Partner, It's All About Being Present And In The Moment And Exploring Together As A Team, A Collaboration.