I Love All Of His Movies. I

I Found It To Be More Challenging To Be In A Huge Effects Movie, Because A Lot Of The Things Aren't There.you Have To Trust The Director And React To Nothing.

I Did Phone Booth, And That Was Shot Very, Very Quickly, But That Was Joel Schumacher, Who's Shot So Many Movies That, If Anybody Can Figure Out How To Do It In A Couple Of Days, It's Him.

Simon Mcburney On "all My Sons" On Broadway - We Had An Eight-week Rehearsal Period And I Really Enjoyed The Way That He Prepared Us To Go Onstage. It Was Different Than Anything I've Done And It Was A Different Way Of Being Directed, So I Tried To Take My Different Experiences Of These Directors And Give Those To My Actors.

I Think It Was Around The Time Of Doing Those Shorts. [producer] Christine Vachon, I Had A Meeting With Her, And She Mentioned The Short, This Aol Short, And Asked If I Wanted To Do One. And Then The Next Step Was The "30 For 30," And Again That Boosted My Confidence Enough To Decide I'm Going To Do A Feature Narrative. And I Was Supported By My Agency, And [producer] Jane Rosenthal Has Been An Exceptional Friend, And She Produced "all We Had," She Encouraged Me To Do The "30 For 30."

We Had Such A Wonderful Set Of Circumstances In Wilmington. Yes, The Four Of Us Became Famous Literally Overnight, But We Were In A Small Town And We Always Knew When People Were Coming Down. We Always Knew When To Behave.