I Like To Go Back To Chinese

Basically The Movies I Make Are My Life, So I Choose How I Want To Live My Life For The Next Two Years. So That's A Decision I Have To Make. At Some Point If I Feel There Are Enough Elements - It Doesn't Even Have To Have Great Characters Or Great Stories - It's Just Elements That Can Get My Excitement And Curiosity For One Or Two Years, Then I'll Jump In And I'll Find Out What That Is. Then I Have To Do [interviews Like This] And Rationalize Why I Do This.

I Think The American West Really Attracts Me Because It's Romantic. The Desert, The Empty Space, The Drama.

The Most Mysterious Feminine Factor, The Existence That We Men, We Don't Know. It's Woman. It's Feminine. That's What The Sword Is About. That's The Symbolic Meaning Of The Sword.

American Films Are Less American Every Day, Because You Have To Please A World Audience. There's Less Authenticity, So It's More Accessible.

Mostly It's Like, I Get Inspired By Something And I Want To Learn That Part Of Filmmaking, I Want To Delve Into That Kind Of Depth. And Leading, Also, A Lot Of People. A Lot Of People, For Two Years Of Their Life They Follow Me, And They Believe What I Believe In. So That's Some Responsibility And I'd Like To Make It Worth The Effort.