I Know There Are A Lot Of

Perhaps The Community You Mentioned Might Not Come To The Story. Sometimes You Have To Take The Story To Them, And Perform It, And That's Another Way That I Get An Alternate Point Of View That Isn't The Official Version Of History Out To A Community. I Feel That's What I've Been Doing Since Caramelo.

I Am One Who Leaves The Table Like A Man, Without Putting Back The Chair Or Picking Up The Plate

When I Have A Writing Workshop, I Like To Have People That Are Anthropologists And People Who Are Poking Around In Other Fields, I Like To Have Them All In The Same Workshop, And Not Worry About Genre. I Like To Mix It Up, Because The Kind Of Comments You Can Get From A Fiction Writer About Your Poetry Are Going To Be Very Different Than What You'll Get From A Poet. Or The Comments You'll Get From A Filmmaker About Your Performance Are Going To Be Very Different. My Writing Workshop Is About Mixing It Up, Cross-pollinating, Not Only In Genres But In Occupations.

I Can't Stand It When People Say, "if You're Writing A Novel, You Should Read This And That." Because It's Like Giving Someone Another Person's Prescription. How Do You Know That's What They Need?

Every Writer I Admire Is My Teacher. If You Look At It, And If You Care To Read Carefully Enough And To Read And Reread A Text, You Teach Yourself Something About Craft.