I Know It's Dangerous To Take On

A Metaphysical Tour De Force Of Untethered Meaning And Involuting Interlocking Contrapuntal Rhythms, 'the Clock' Is More Than A Movie Or Even A Work Of Art. It Is So Strange And Other-ish That It Becomes A Stream-of-consciousness Algorithm Unto Itself - Something Almost Inhuman.

Any Negative Review You Write, They'll Say, "oh, You're Being So Mean." I Think The Problem With A Lot Of Criticism Is That Too Many Critics Either Write Just Description Or They Write In A Mandarin Jargon That Only A Handful Of People Can Understand, Or They Write Happy Criticis - Everything Is Good That They Write About. I Think That's Really Not Good. I Think It's Damaged A Lot Of Our Critical Voices.

Biennial Culture Is Already Almost Irrelevant, Because So Many More People Are Providing So Many Better Opportunities For Artists To Exhibit Their Work.

When The Purse Strings Tighten Up At Museums, The Institutions Usually Cut Back And Cancel Shows. That's Exactly The Wrong Reaction. In Fact, Now Is A Good Time For Them To Loosen Up - A Chance To Breathe And Experiment A Little - And Go For The Juicy Solution Lurking In Their Own Basements.

Yes, 85 Percent Of The Art You See Isn't Any Good. But Everyone Has A Different Opinion About Which 85 Percent Is Bad. That In Turn Creates Fantastically Unstable Interplay And Argument.