I Just Want To Create Situations Where

I Hate Studio. For Me, Studio Is A Trap To Overproduce And Repeat Yourself. It Is A Habit That Leads To Art Pollution.

First Of All, To Do Performance Art, You Really Have To Give 100 Percent. I Only Know That I Have To Give 100 Percent And Then What Happens, Happens.

I Had To Leave Some Traces. In The Beginning, I Would Give Complete Instructions To The Photographer. In The '70s, People Would Come To Photograph Your Work And You Would Just End Up With This Crazy Material That Had Nothing To Do With Your Work; Maybe I'd Pick Up Two Or Three Photographs That Were The Closest To The Idea. This Is Why When You Look At The '70s, You See Much Less Documentation And Really Bad Material. The Material Will Become Misleading To What The Piece Was.

Your Ego Can Become An Obstacle To Your Work. If You Start Believing In Your Greatness, It Is The Death Of Your Creativity.

I Believe Stories Are Very Important To All Performances. The Life Story Of The Performer Shapes Their Work, And The Life Stories Of The Audience Alter How They Receive The Work, What They Read Into The Performer.