I Hope I'll Consider My Next Part,

It Was Very Liberating To Be Able To Sing In English. It Had A Different Resonance, Different Images. It Was Like Being A Stranger In A Foreign Land, Which Was Helpful.

I Was Really Nervous About People Booing, Because My Mother Had Gone For A Film 20 Years Earlier And Had A Terrible Time With People Booing, Whistling, So I Knew That In Cannes People Can Get Aggressive.

It Rarely Happens That I Get To Work Again With The Same Director. I Had Such A Wonderful Time On Antichrist With Lars Von Trier, That I Was Going To Do Whatever He Proposed Me To Do. When He Sent Me The Script Of Christmas, I Just Loved It. I Think I Love Anything He Writes.

You Don't Even Need The Director's Judgement. It's Too Much.

Even Moving Around Onstage Seemed Very Artificial. But At The Same Time You Have To Make That Effort In Order To Get Back To Who You Are And Even Accept Not Moving, If That's Who You Are.