I Helped Develop Disney's) Special Effects Department

Now People Don't Know What It Was In The Paris Version, They Put The Skeleton At The End, Not At The Beginning. At Least They've Learn Something!

The Boundaries Of Design Are The Same As The Problem Of Perception.

It's An Enormous Amount Of Work: There Are 28 Separate Buildings, And I Work On The Choice Of The Colors For Everything. Outside Colors, Balcony Colors, Etc.. And All Of This Has To Work Together, In Harmony.

I Have Wanted To Be A Fine Artist Painter, And I Reached The Point In Art Schools Were I'd Like To Understand More About Images And How Images Communicate Information To People. And I Was Not Getting Very Far In That From My Professors.

I Thought That It Would Be Easier To Learn That If I Worked In Motion Pictures. So I Went To Work With One Motion Picture Producer Who Was Developing A Color System. This Didn't Do To Me Much Good. All I Did Was Pick Filters For The Camera.