I Have Two Sons In America, And

A Lot Of People Will Think I Changed The Book: ‘so You’re The Tiger Instead, You’re The Tiger Who Ate The Cook.’ That’d Be Totally Expository, Like In The Book, ‘you’re The Tiger’ And Then It Stops There. That Seems To Have The Magic Touch. I Bring Everything Together. That’s Why He Made Up The Story, The Whole Thing Becomes Internalized. That Might Be The Magic, But All I Did Is Not So Much Interpreted, But Try My Best To Keep Everybody Still Staying In The Movie. And I Was Like, ‘god, It’s So Hard To Do.’ I Make Movies For A Long Time. It Doesn't Get Easier.

In My Culture, There's A Tradition That When You're In An Overwhelming Situation And You Don't Know What To Do, You Put Yourself In A Woman's Shoes.

On A Chinese Film You Just Give Orders, No One Questions You. Here, You Have To Convince People, You Have To Tell Them Why You Want To Do It A Certain Way, And They Argue With You. Democracy.

You Have To Know The Rules, Otherwise You Have No Tools To Communicate To The Audience, But To Keep It Fresh You Have To Break Some. I Don't Choose Genres As The Element, But The Material Itself Is The Element, Then I'll Decide What Genre I Need. That's Just How I Work.

If There's Something That Can Be Formulated, Regulated, Give You Security, Then Nobody Would Lose Money. Every Movie Would Be Successful. And That's Certainly Not The Case.