I Have This Thing That, Once I

I'm Very Aware That The Future Of Any Film Is Not Necessarily The Theatrical Experience, It's The Home Video Experience Because That Is The One That Is Going To Be Presented For Years To Come. So You Want To Make Sure That You Push Your Movie, But You're Talking About A Movie That You Finished Months Ago. And Your Head Is Trying To Move Into New Grounds And You're Still Pushing For The Other One. That's The Tough Element Of It.

As A Director, You're Only As Good As Your Collaborators. You Surround With Collaborators That Are Going To Understand What You're Trying To Do. Not Only That, They're Going To Push And Fight For What You're Trying To Do.

I Left Mexico For Artistic Survival. If I Had Stayed, I Would Have Been Forced By The Government, Who Control The Movie Business, To Direct Tv Shows Or Commercials Or Infomercials For The Government.

If I Would Rescue One Of My Movies, It Would Be 'a Little Princess.'

Historically, There Is A Fight Between The Sound Designer And The Composer. You See Them In The Mixing Room And They're Always Fighting Because The Composer Wants The Music To Be Heard And The Sound Designer Wants The Sound To Be Heard.