I Have Made A Great Discovery. I

A Painting Without Something Disturbing In It – What's That?.

The Whole Renaissance Tradition Is Antipethic To Me. The Hard-and-fast Rules Of Perspective Which It Succeeded In Imposing On Art Were A Ghastly Mistake Which It Has Taken Four Centuries To Redress; Cezanne And After Him Picasso And Myself Can Take A Lot Of Credit For This. Scientific Perspective Forces The Objects In A Picture To Disappear Away From The Beholder Instead Of Bringing Them Within His Reach As Painting Should.

I Have Made A Great Discovery. I No Longer Believe In Anything. Objects Don't Exist For Me Except In So Far As A Rapport Exists Between Them And Myself. When One Attains This Harmony, One Reaches A Sort Of Intellectual Non-existence, What I Can Only Describe As A Sense Of Peace, Which Makes Everything Possible And Right. Life Then Becomes A Perpetual Revelation. That Is True Poetry.

The Starting Point Of A Picture For Any Painter Is A Matter Of Colors And Form...i Believe That The Poetry Of Art - If That Is What One May Call It - Is A Matter Of Animating These Forms And Colors.

Emotion Should Not Be Rendered By An Excited Trembling; It Can Neither Be Added On Nor Be Imitated. It Is The Seed, The Work Is The Flower.