I Have Lived In Countries That Were

Stop Thinking About Art Works As Objects, And Start Thinking About Them As Triggers For Experiences.

The Trouble Begins With A Design Philosophy That Equates 'more Options' With 'greater Freedom.'

One Way Of Working Is Just Bring A Group Of Totally Different Musicians Together And Encourage Them To Stick To Their Guns, Not To Do The Thing That Normally Happens In A Working Situation Where Everyone Homogenizes And Concedes Certain Points - So Eventually They're All Playing In Roughly The Same Style. I Wanted Quite The Opposite Of That. I Wanted Them To Accent Their Styles, So That They Pulled Away. So There Would Be A Kind Of Space In The Middle Where I Could Operate, And Attempt To Make These Things Coalesce In Some Way. In Fact Quite A Lot Of My Stuff Has Arisen From That.

I Do Love Being In My Studio. Especially At Night.

I Despise Computers In Many Ways. I Think They’re Hopelessly Underevolved And Overrated.