I Have Always Staged My Fears As

When You're 50, The Best Thing To Do Is Dance The Argentinean Tango.

If We Consider Art As Oxygen In Our Society, We Have To Deliver This Oxygen.

When I First Had A Video Camera To Document A Performance, It Was In Sweden And I Remember It Was Really Crucial For Me.

There Has Been Evolution In My Work. In The Beginning I Was Very Much Busy With The Physical Body And The Limits Of The Physical Body But That Somehow Naturally Led Me To The Mental Body And How I Could Deal With That. Stillness Is So Much Harder, Especially For Three Months. It Was A Big Challenge. As A Performer It Is The Most Difficult Experience One Can Have. And The Interactive Experience With The Public Made It Even Harder.

Zooming In, Zooming Out. I Was Shocked. I Said, "let's Erase This Right Now, Put The Camera Behind The Stage And I'll Do The Performance Just For The Camera." He Set Up Everything And I Told Him To Go Outside And Smoke A Cigarette. Come Back When I Finish. Don't Touch The Camera. This Was The Way How I've Done Most Everything After That.