I Have Always Been A Huge Fan

A Hero Can Be Anyone. Even A Man Doing Something As Simple And Reassuring As Putting A Coat Around A Young Boy's Shoulders To Let Him Know That The World Hadn't Ended.

Movie Logistics Never Really Allow You To Do Anything But Shoot The Way The Budget Dictates.

The Problem With Big Films Is They Snowball Very Rapidly And You Can Never Pull Back. It's A Pipeline That Needs To Be Fed.

What I React Against In Other People's Work, As A Filmgoer, Is When I See Something In A Movie That I Feel Is Supposed To Make Me Feel Emotional, But I Don't Believe The Filmmaker Shares That Emotion. They Just Think The Audience Will. And I Think You Can Feel That Separation. So Any Time I Find Myself Writing Something That I Don't Really Respond To, But I'm Telling Myself, 'oh Yes, But The Audience Is Going To Like This,' Then I Know I'm On The Wrong Track And I Just Throw It Out.

I Think The Films Insomnia And Memento Share All Sorts Of Thematic Concerns, Such As The Relationship Between Motivation And Action, And The Difficulty Of Reconciling Your View Of The Story With The Supposed Objective View Of That Story.