I Have A Strong Art-history Background.

When You're Making A Television Show, It's About The Story And Arc Of The Show Rather Than Any Particular Episode Or Director.

Much Of My Youth Was Spent In The Parking Lot Or Inside A Dunkin' Donuts.

The Censors Were Great. There's Always Back And Forth. But It's 'hostel 2', It's Not 'happy Feet 2'. Everybody Knows What Hostel Is And People That Are Going To See It Are Going For More Of What They Loved In The Original. No One Is Accidentally Going To Walk Into It, No Parent Is Accidentally Going To Take Their Child, And We're Not Pretending What It Is In The Advertising. We're Saying It's Very Violent, It's Very Scary And A Continuation Of The First One.

Pulp Fiction Won The Palme D'or And People Said: "wait A Minute, He's Actually Smart And He Knows What He's Doing!" I Feel That With Hostel, Any Time You Make A Film Like That It's Going To Illicit A Strong Reaction And You Can't Worry About That.

I Love Movies That Have That Resonating Scare, That Really Get Under Your Skin And Make You Think.