I Have A Little Dog Who Likes

On The Beach, At Dawn: Four Small Stones Clearly Hugging Each Other. How Many Kinds Of Love Might There Be In The World, And How Many Formations Might They Make And Who Am I Ever To Imagine I Could Know Such A Marvelous Business? When The Sun Broke It Poured Willingly Its Light Over The Stones That Did Not Move, Not At All, Just As, To Its Always Generous Term, It Shed Its Light On Me, My Own Body That Loves, Equally, To Hug Another Body.

Also I Wanted To Be Able To Love And We All Know How That One Goes, Don't We? Slowly

Oh, Yesterday, That One, We All Cry Out. Oh, That One! How Rich And Possible Everything Was! How Ripe, Ready, Lavish, And Filled With Excitement--how Hopeful We Were On Those Summer Days, Under The Clean, White Racing Clouds. Oh, Yesterday!

Though I Play At The Edges Of Knowing, Truly I Know Our Part Is Not Knowing, But Looking, And Touching, And Loving

The Poet Must Not Only Write The Poem But Must Scrutinize The World Intensely, Or Anyway That Part Of The World He Or She Has Taken For Subject. If The Poem Is Thin, It Is Likely So Not Because The Poet Does Not Know Enough Words, But Because He Or She Has Not Stood Long Enough Among The Flowers--has Not Seen Them In Any Fresh, Exciting, And Valid Way.