I Guess I'd Love To Be Surprised

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

I Learned A Lot About Acting - Watching Not Just Myself But Other Actors And Learning How To Distinguish Between Two Great Takes. It's Also About One's Own Taste In Performance.

Having Gone Through Editing Process, I Can See That In Actor's Faces There's Point Where They're Not Managing Their Performance And That's, I Think, The Best Place To Be. You've Done The Homework, You've Learned The Lines, At That Point You Just Sort Of Let It Out.

I Should Say, A Piece Of Advice That Was Given To Me Very Early On By The Principle Of Rada (royal Academy Of Dramatic Art) Which Is Where I Went. When He Auditioned Me, He Said, "your Speech, Monologue, Is Fine. It's Good. Yeah, I Think You Have Ability But You're Making It Happen. Don't Make It Happen, Let It Happen." And That's A Sort Of Subtle Shift I Think, As An Actor.

You Dread That There Will Be Real Problems During Filming.