I Guess I'd Love To Be Surprised

You Dread That There Will Be Real Problems During Filming.

You're Meant To Be Playing The Distillation Of Evil, Which Can Be Anything.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

What Moves Me In Art Is How We Question Who We Are As People.

It's Not Great If Someone Gives You Sort Of Bland Praise Without Giving You Clear Direction And Say, "this Is Good, Let's Try It Like This." I Have Worked With Someone Who Seemed Quite Inarticulate And Just Would Say, "that's Good, That's Good." That's Very Frustrating Because - It's Nice To Know Something Is Good But You Know It Can Always Change.