I Feel Safe With Him Because He

I Love Paul Giamatti - God, That Man Is Like A Walking Chekhov. His Connection To Humanity Is Unbelievable, And Those Feelings Of Low Self-esteem - The Way That All Comes Together On The Screen? Delicious.

... I'm The Fortieth-ugliest Man In This Bar. But So What! So What! What If Someday She Lets Me Kiss Each One Of Her Freckles Again? She Has Like A Million. But Every One Of Them Means Something To Me. Isn't This How People Used To Fall In Love? I Know We're Living In Rubenstein's America, Like You Keep Saying. But Doesn't That Just Make Us Even More Responsible For Each Other's Fates? I Mean, What If Eunice And I Just Said No To All This. To This Bar. To This Facing. The Two Of Us. What If We Just Went Home And Read Books To Each Other?

Italy Has Sun And Tomatoes, And Russia Just Has Real Problems.

The Radio Station Was Playing Tchaikovsky's Swan Lake, A Sure Sign That Things Were Much Worse Than They Appeared.

In The First Few Pages, Kundera Discusses Several Abstract Historical Figures: Robespierre, Nietzsche, Hitler. For Eunice's Sake, I Wanted Him To Get To The Plot, To Introduce Actual "living" Characters - I Recalled This Was A Love Story - And To Leave The World Of Ideas Behind. Here We Were, Two People Lying In Bed, Eunice's Worried Head Propped On My Collarbone, And I Wanted Us To Feel Something In Common. I Wanted This Complex Language, This Surge Of Intellect, To Be Processed Into Love. Isn't That How They Used To Do It A Century Ago, People Reading Poetry To One Another?