I Don't Weigh Myself.

We Were Really Fortunate To Work [on Pineapple Express] With A Studio That Was Really Supportive Of These Guys. It Was Before Superbad And Knocked Up Had Even Come Out, But Everyone Just Felt Really Great About Them And The Energy Surrounding Seth [rogen] And Evan [goldberg] And Judd [apatow] - All Of These Guys - And The Idea Of Getting Franco Back Into Comedy As Well.

I Remember, When I Was An Up-and-coming Comic, How Annoyed I Would Be When The Famous Guys Would Show Up And Just Take Everyone's Spots.

I Read The Script [ Of 'steve Jobs' Movie ], And It Was Very, Very Good. I Wasn't Sure They Would Want Me To Be In The Movie, But I Auditioned For It. Which I Hadn't Done In A Few Years. But I Had Auditioned In The Previous Few Years For Another Movie That I Did Not Get The Part. And So My Track Record Wasn't Good. But I Really Wanted To Audition Because I Was Worried That I Was Going To Blow It, And I Wanted It To Be On Them For Choosing Me.

I’m Very Curious In Regards To "the Hateful Eight" Specifically About The Blocking Of The Movie. Because In Comedies, We Don’t Block. We Basically Like Have To Position The Actors’ Bodies In The Way That Is Most Conducive To Filming Both Of Them Simultaneously.

People Constantly Make Pop-culture References. That's Why It's Called Popular Culture, Because People Are Aware Of It And Reference It Constantly.