I Don't Think I've Had A Lonely

I Can Talk Endlessly About Characters, Or Why Someone Did This Or That, And What That Dynamic And Interaction Is. I Really Love It, And I Think That Actors Really Respond Positively To The Fact That I Like To Talk About That Stuff, Because I'm Not Sure That All Directors Do.

It's Good When Someone Comes To A Book Or A Movie And Interacts With It. It's The Difference Between An Illustration And A Painting. An Illustration Serves A Specific Purpose, And A Painting Is Something You Can Immerse Yourself In.

Story Ideas, But It's Also Musing On Stuff That I'm Thinking About. This Leads Me To This And This Leads Me To This. They're Kind Of Random And Haphazard. Often I Can't Find Anything. Somehow, By Doing That, Even Though I Don't Necessarily Refer To Them In A Specific Way, I Have Some Sort Of Architecture In My Head.

So When I Write Characters And Situations And Relationships, I Try To Sort Of Utilize What I Know About The World, Limited As It Is, And What I Hear From My Friends And See With My Relatives.

My Point Of View Comes More From The Literature I've Read And The Comedy Of The Era. When I Was A Kid, Coming Across National Lampoon Magazine, That Was A Big Thing. I Suddenly Felt Like There Were Other People That Felt The Way I Did, And There Was A Way Of Expressing And Communicating This Worldview.