I Don't Seek Power And Do Not

If One Takes The Kinds Of Risks Which I Took, Which Are Colossal, But Taking Risks, I Was Rewarded By Being Able To Contribute In A Very Substantial Fashion To A Variety Of Fields. I Was Able To Reawaken And Solve Some Very Old Problems.

The Existence Of These Patterns [fractals] Challenges Us To Study Forms That Euclid Leaves Aside As Being Formless, To Investigate The Morphology Of The Amorphous. Mathematicians Have Disdained This Challenge, However, And Have Increasingly Chosen To Flee From Nature By Devising Theories Unrelated To Anything We Can See Or Feel.

Many Painters Had A Clear Idea Of What Fractals Are. Take A French Classic Painter Named Poussin. Now, He Painted Beautiful Landscapes, Completely Artificial Ones, Imaginary Landscapes. And How Did He Choose Them? Well, He Had The Balance Of Trees, Of Lawns, Of Houses In The Distance. He Had A Balance Of Small Objects, Big Objects, Big Trees In Front And His Balance Of Objects At Every Scale Is What Gives To Poussin A Special Feeling.

Order Doesn't Come By Itself.

Smooth Shapes Are Very Rare In The Wild But Extremely Important In The Ivory Tower And The Factory.