I Don't Read Much Of Anything Online.

I Knew How To Draw All Of The Different Smokestacks On The Old Trains And All That Stuff, And Then I Realized That If I Can Draw Trains, Which Is The Thing I Was Probably The Least Interested In In The World At The Time, I Can Do Anything And Find A Way Into It That Will Be Interesting.

My Feeling Is That It's One Of The Very Few Things That Comics Can Do That You Really Can't Do In Any Other Medium. I Feel Like The Reader Accepts All Of These Styles, And After A Certain Point You Can Flip The Pages And See A Character Rendered Very Differently Than You Saw On An Earlier Page, And It's Not Jarring. It Suggests Things That You Can't Suggest Just In The Writing Or In The Plotting.

I'm Always Looking For Things I Imagine Must Exist, But Don't - This Is Usually The Impetus To Create That Thing Myself.

You Have To Find The Tone Of The Piece And Modulate That. There Are Ways To Indicate That - I Try To Incorporate The Biggest Range I Can Within The Story, Going From Humorous To Serious Without It Being Jarring. That's The Hardest Part, To Keep That Balance. It Requires Being Constantly Aware Of Where You Are In The Story. You Can't Really Do That In A Movie: You Can't Slightly Modulate The Tone By The Way The Character's Eyeballs Look In One Certain Scene.

In Some Ways, I Never Outgrew My Adolescence. I Wake Up In The Morning And Think, 'oh My God, I'm Late For A Math Test!' But Then I Say, 'wait A Minute. I'm 40.