I Don't Often Go To Curator Or

Any Critic Will Tell You That There Are A Few Dealers Where You Get A Little Bit Scared To Go Into Their Gallery, And That's Unfair To Them, To Yourself, To The Reader, And To The Artist. But I Just Want To Look. When I'm Done Looking And Writing, I Love Talking To Art Dealers. They Are So Alive And Interesting And Amazing - From Larry Gagosian All The Way On Down.

The Alchemy Of Good Curating Amounts To This: Sometimes, Placing One Work Of Art Near Another Makes One Plus One Equal Three. Two Artworks Arranged Alchemically Leave Each Intact, Transform Both, And Create A Third Thing.

The New York Art World Readily Proves People Wrong. Just When Folks Say That Things Stink And Flibbertigibbet Critics Wish The Worst On Us All Because We're Not Pure Enough, Good Omens Appear.

When Museums Are Built These Days, Architects, Directors, And Trustees Seem Most Concerned About Social Space: Places To Have Parties, Eat Dinner, Wine-and-dine Donors. Sure, These Are Important These Days - Museums Have To Bring In Money - But They Gobble Up Space And Push The Art Itself Far Away From The Entrance.

One Argument Goes That Recessions Are Good For Female Artists Because When Money Flies Out The Window, Women Are Allowed In The House. The Other Claims That When Money Ebbs, So Do Prospects For Women.