I Don't Need Art To Tell Me

I Write In A Slangy Colloquial Speech That Has Not Been Common In The Israeli Tradition Of Writing, And That Is One Of The Things That Gets Lost A Little In Translation.

To What Extent Does Anybody Control His Destiny? Life Is Very Much Like Falling Of The Edge Of A Cliff. You Have Complete Freedom To Make All The Choices You Want To Take On Your Way Down. My Characters Choose To Yearn And Not Lose Hope Even When The Odds Are Completely Against Them. It Doesn't Make The Landing At The End Of That Fall Any Less Painful But, Somehow, It Helps Them Keep A Little Dignity Their Bone Broken Body.

I See Creative-writing Classes As Some Sort Of Aa Meeting. It Is More Of A Support Group For People Who Write Than An Actual Course In Which You Learn Writing Skills. This Support Group Is Extremely Important Because There Is Something Very Lonely About Writing.

I Used To Feel That If I Say Something's Wrong, I Have To Say How It Could Be Made Right. But What I Learned From Kurt Vonnegut Was That I Could Write Stories That Say I May Not Have A Solution, But This Is Wrong - That's Good Enough.

When My Works Are Being Translated, I Always Get This Question From My Translators: Up Or Down? Which Means, Should It Sound Biblical And Highbrow, Or Should We Take It All Down To Sound Colloquial? In Hebrew, It's Both All The Time. People In Israel Would Write In A High Register, They Wouldn't Write Colloquial Speech. I Do A Special Take On Colloquial Speech.