I Don't Deal In Technique. I Deal

We Were Never A Band That Did 96 Takes Of The Same Thing. I Had Heard Of Groups That Were Into That Kind Of Excess Around That Time. They'd Work On The Same Track For Three Or Four Days And Then Work On It Some More, But That's Clearly Not The Way To Record An Album. If The Track Isn't Happening And It Creates Some Sort Of Psychological Barrier, Even After An Hour Or Two, Then You Should Stop And Do Something Else. Go Out: Go To The Pub, Or A Restaurant Or Something. Or Play Another Song.

Domesticity And All That Isn't Really For Me.

There's Always Music That Moves Me. It Doesn't Necessarily Mean That It's Within The Parenthesis Of Rock Or Blues, Or Whatever. It's Usually Far More Reaching Than That. It Can Be In Many Different Genres.

When I Started Doing Sessions, The Guitar Was In Vogue. I Was Playing Solos Every Day.

Many People Think Of Me As Just A Riff Guitarist, But I Think Of Myself In Broader Terms. As A Musician I Think My Greatest Achievement Has Been To Create Unexpected Melodies And Harmonies Within A Rock And Roll Framework. And As A Producer I Would Like To Be Remembered As Someone Who Was Able To Sustain A Band Of Unquestionable Individual Talent, And Push It To The Forefront During Its Working Career. I Think I Really Captured The Best Of Our Output, Growth, Change And Maturity On Tape - The Multifaceted Gem That Is Led Zeppelin.